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Film Theory Creating A Cinematic Grammar

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Film Theory Creating A Cinematic Grammar

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Film Theory Creating A Cinematic Grammar

Greatest Films The Best Movies in Cinematic History
About Filmsite.org. Filmsite.org is an award winning website for classic film buffs, students, moviegoers and anyone else interested in the great movies of the last century. Detailed plot synopses, review commentary and film reference material are just some of the features available on the site. The site also contains film analysis, original content, information on the top films and most ...
Martin Scorsese Institute of Global Cinematic Arts
NYU Tisch School of the Arts has received a major t from the Hobson Lucas Family Foundation to establish the Martin Scorsese Institute of Global Cinematic Arts, an academic and production institute which will encompass the new, state of the art Martin Scorsese Virtual Production Center, the Martin Scorsese Department of Cinema Studies, and support for student scholarships.
Film director
Auteur theory is a film criticism concept that holds that a film director's film reflects the director's personal creative vision, as if they were the primary "auteur" (the French word for "author"). In spite of—and sometimes even because of—the production of the film as part of an industrial process, the auteur's creative voice is distinct ...
Film noir
Film noir ( n w ɑːr ; French: ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations.The 1940s and 1950s are generally regarded as the "classic period" of American film noir.Film noir of this era is associated with a low key, black and white visual style that has roots in German Expressionist ...
Who Is Sergei Eisenstein, and What Was Soviet Montage Theory?
Sergei Mikhailovich Eisenstein was a Soviet director and film theorist who was a pioneer in creating the cinematic language we use today. He was one of the first people to use montage and is known widely for his seminal silent film, Battleship Potemkin (1925). He's known as the father of montage theory.
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